An eine diversity explains this inconsistency. On the contrary, what is common to all people, which is a part of their beth, their instinct, or the influence of nature phenomena on them, leads us to universal associations. For all, "Red is warm by its invested with infra-red rays. In opposition with it, purple and purple colors feel like cold. The green, in the middle of the visible spectrum, is at the same time balance and hope of peace. The red color stops The train, but it is the emblem of the revolution. This will seem to the children as misunderstood as the new fact in carrying the same black clothing at marriage and innamlation.
Beca use of anthropomorphism, a prejudice was born, today very strongly rooted; EA and Victor LluGo, I also believed in the exciting action of the red on the bulls: "Enfanfs, Voice des Bieufs Qui Passent Cachcz Vos Rouges Tabliers" ("Children, Here are the bulls Hide your red-life." But recently, it has been discovered as The bulls would have daltonism. They are irritated not the color of a pin, but by stirring but violent, organic, because it is a sign of vegetal life, itself spring, with the oxygen it regenerates, our own survival. "Louis Donnet) . There is, therefore, even if they are insufficiently known, universally valid correlations. But if a certain color has a precise psychic resonance, each of us can be sensitively sensitive take this effect, and react to it according to its own Its individuality. This simply expresses by "I like" or "I do not like".
In reality, either at a time, either every painter, each amateur has their favorite color. It is then established between them a current of sympathy that others will be able to share than another way, the one in which the spirit dominates the instinct. That is why Max Liischer says "an exclusive preference or a total aversion to a color removal im instinctive behavior, more or less serious mental disorders. On the contrary, a nuanced and cultivated spirit makes a harmonious choice in which it enters Equally, sympathy and antipathy. Caliguring exclusively preferred or detected by an individual gives us not only reflection of its character; it also allows the highlight of certain somatic diseases. It is precisely what Dr. Donnet explains: "Color tropisms have a significance Sure in diagnosis. Defosfatience, the nervous preference for yellow and orange, those with anoxies, cumbersomely breathing phlegmics, choose without savoring green and blue Canard.
Bilios love red, like a plausible echo to their arterial insufficiency. "By applying the logical reciprocal, he discovers in medicine precious diagnostic means: sets the way of knowing the temperament of a patient and controls the effects of treatment, following the reactions of the chromatism of chosen paintings judiciously. Such a "auscultation" can only support research because it offers a further detection tool. Like any means of accepting knowledge, it does not ask to be used alone; Also, Doctor Donnet does not see In artistic creation the only effect of these very real tropisms. He would not have painter if it would not differentiate them from often perfectly controlled and conscious elections made from higher rations. Indeed, we constantly find the duality of the spirit and body influencing -I had each other. The spirit must dominate the body without looking that they are linked and that it can not be abstracted by this Nimity.
In order not to fall into an intellectualism contrary to our nature, it is therefore allowed to ask our brother the donkey "to help the aid of true spiritualities. It will refuse to see the Basica as the torch; It will be easily defended, refusing to become the slave of aesthetics either the command if it translates into painting what the south re saying about the music: "Aesthetics is based on the interpretation of our sensations. But our sensations for our nerve organs and get into the The latter to the central nervous system. In this way, the feeling first joins physiology, which can be justified by our measuring instruments and scientific competence. There are foreign links between physiology and psychic phenomena. It has been established as aesthetic impression on the which can leave us a musical audition keeps the affective functions of cerebral organs currently perfectly known. For this, we had to abandon the old physical notions of consonance and dissonance.
And early what is the flashlight, to think of Florian Maimuta's fabrication that looks in magical flashlight. We have to listen to the rules imposed by Helmholtz to reach the affectionate psychology of the pleasure and unpleasant. The substitution was unlike if it had been that these characters had a cerebral support. Measurements made on selected subjects for their different temperament and whose chosen musical parts are presented with typical characteristics, for example from Wagner, Milhaud, Schonberg).
* Note: Havel, Marc -The painting technique, Meridian Publishing House, 1980