Interpreting the Socratic idea of Daimon, it was understood that, in fact, Socrates by the last statement, the one by which he listening to his daimon was protruding from actions that could lead to negative consequences, subscribed the idea that Daimomd is not eminently an element representing The good, but soon a dual philosophical entity, with a "bad" Daimon, depending on the consciousness of each and the acts that follow the "obedience". Goethe identified in Daimon, a Creator Demon sometimes synonymous with genius (as an entity possessing people in cultural-artistic creations): "The more exceptional one," Goethe said, the more debris of demons, having unconvinuted Let us know that there is no will devoted to wrong horses "; He thus achieves a level of superior consciousness that "he listened" and who "urges", most often unconscious, to acts of special artistic emanations and impossible to accomplish without being "possessed" by Daimon ', If Socrates Daimomd is "a genius of moral restrictions," Goethe he appears as "a magical power, a positive spirit, creation, productivity, deed." Goethe distinguishes between Daimon and God, recognizes in God the superior force of reverence, as for Daimon, even if it can not be the same type of awe, it appears to be "more conquer and more fascinating." Even if the demonic is correlated with the "File", with the "Creator," he is different from God and is generally manifested in the subordinate branches: philosophy, art, science, policy: "Productivity is related to the demonic, which Almighty does with Man all CC agrees, and whom man is unconscious, believing he works from his own initiative. " Next, Goethe makes the difference between demonic and diabolical (mefistylic). Mefister is too negative; The demonic demonic, on the contrary, manifests itself in an absolutely positive energy. "Conscious of his own beads (as his precursors Dali and Picasso were aware of their genius), Goethe has permanently fought to restrict his demonic sides that threatens the" measure and balance. "
If the demon (Dammon) is responsible for deregulating the "measure and balance" we can argue that it is not a good thing, it is antithetic to the notion of divinity that is raised on human beings through a state of suilet, inner peace, mental relaxation. The demonic "demonstrates in countless ways in nature, both in visible and invisible, there are beings that are totally demonic and again other in which only some sides of the demon is exercised." In the assertion of the German writer, the demonic has a transcendent nature because human beings are demonic have a behavior similar to some force that has a superior nature; The demon is at the limit between the divinity and diabolical: "Thus the demon is reintegrated into divinity. The demonic is the exit of the # divinity, an escape of the logical order that has imposed it: hence the irresistible power that characterizes it, Here the positive side of its manifestations, which differs so beneficial from the negative ones of the mefistopel darling; hence the accident, the whimsical and the providential in all the outbursts of the demon. " The demon acts in a positive creative sense, but it is manifested in the dark periods of mankind; Holds higher than the higher people, emphasizing their insights, but at the same time, thanks to huge energy, shortened their lives, attributed to an existential fatality: "Designed to illustrate the same principle: We think at Rimbaud, Verlaine, Gauguin, Van Gogh, or most recently disappeared at Radiguiet. All of them have something common: rhythm rhythm rhythm, short lives, quickly consumed by the demonicle salars in them as an uninaturated fatality.
Mozart died in the thirtiecissea year of life. Rafael at the same age, Byron only a little more old. But all of them have fulfilled their mission in a perfect and doubtful mission was the time for them to leave, because in this world drawn up for a long time, to remain with other working people. "The possessions that the Daimon is raising at the level Human consciousness is unconscious, without possession of doing so, even though its creator-artistic acts far exceed those of its peers: "Man is possessed and inspired by demonic - without knowing how. The irrationality of the demon is hiding, which always remains below the threshold of human consciousness. Through our students, the demon sends unseen sovereighers to be treated in our place, better than we could by every effort of consciousness. "
* Note: Apostles, EDI -Transpersonal dimensions in artistic creation, 3D Arte Publishing House, 2012