The individual will begin to relate axiologically to the world, from where the idea of respect, self -respect and self -deposit will appear. The visual perception of the world develops with acuity, rectum aesthetic perception, developing tastes and tendencies. The competition is born and criticism that can have constructive, but also destructive effects, and for the development of taste for aesthetics, the need to create the aesthetic object will be born, as a subject of contemplation. This superior category, the fine tasting of the aesthetic object will create the extension to the self-devoted individual, in a continuous search for "self". He will thus express himself supreme, passing on the highest step of the pyramid, the one called "growth", increase in the sense of approaching the divine phenomenon, most often expressed by creation. In this context, art was born pure and purity and meant a communication with the beauty of nature put on account of the Supreme Creator. The artists were worshiped as envoys of an entity that held all the strengths of beauty.
For years, in royal courts, the artist was a favorite. He was the creator of aesthetic ecstasy and celebrated like a mag of sound and color. In time, however, the competition and, perhaps, the boredom of the same cough or the obsessive repeat of the same type of score led to a desire for diversification that, in fact, degenerated into currents and angry tendencies, born of ambitions and pride. The artists have gradually become craftsmen, living a competition similar to a gladiator show. One by one, they tried to abolish the art of the other, bringing other and other interpretations of the aesthetics, culminating in abolishing and ridiculing the art itself. But, you all find on the same last step a The pyramid, we find them all in a transpersonal space where even the pride tends towards the deity (we include in the deity any form of existence, regardless of its beneficial or evil nature). In a period when exaggerated consumerism has invaded all the cultural forms to raise the problem of the transpersonal element in artistic creation is an act of courage and conceptual responsibility.
In these times, art suffers from the postmodern phenomenon of depersonalization and straightening to an anonymity. We witness the elongation of the deep being in art, to the almost complete desacralization of all cultural forms, an eradication of the sacred in the life of the human being. The individuality who listens to his daimon and, in the exercise of creation, manages to hear the Lautrica voice that whispers that he is an elected to perpetuate the element that exceeds the telluric horizon and migrates to an ineffable land, renews the source of creative nectar who was harassed to him. by divine will. In other words, if God, or at least a prayer to the heavens, was murmured in every fiber of the canvas used to create the work of art, when the artist painted in love with colors and penel, today the face of the saints on the stalls is sold, Along with discharged stamps, representing the flying ruffles from Moulin Rouge or the erotic Pin-ups.
* Note:Apostoli, edi -Transpersonal dimensions in artistic creation, 3D Arte Publishing House, 2012